Action Grow Into a Mighty Baby

IS THIS the career for you? Twenty pounds a week, uncertain prospects and no luncheon vouchers. The life of a rock drummer is not necessarily an open sesame to a country mansion and Rolls Royce.

Roger Powell is a good drummer and has been on the road for several years. But while he has not acquired great riches — he is happy enough rocking with a good band — Mighty Baby.

For this is a band that was born out of disappointments and struggle. They came up — most of them — through a group called Action, that was once hailed as an equal for excitement to the Who — but never made it.

After long periods of uncertainty and despair, now Mighty Baby are solidifying their talents and finding a direction. They may not ever become a super group. But they will earn a living and carve a place for themselves in the group grind. Roger has been through hard times, but he is happy and reasonably contented.

“The band has been together for a year and a half now and things are picking up really well,” said an unshaven Powell sinking a breakfast Guinness this week.

“It was a struggle when we started. We had no work, no agent and no manager, until we met John Curd of Head Records. We had hardly any equipment until John got us together.

“It has taken us a year to get established. The album we have just had released on Head was actually recorded a year ago, but it took a long time to get released due to contractual reasons.

“We’ve been doing quite a bit of session work in the meantime for Keith Christmas, Robin Scott and Gordon Smith.

“The music we are playing now has been very much influenced by The Band — very forceful but relaxed. There is something about The Band music. I saw them at the Isle of Wight and they are really relaxed and satisfying.”

Mighty Baby consist of Roger on drums, Ian Whiteman (organ, piano, sax), Alan King (rhythm guitar), Mike Evans (bass guitar), and Martin Stone (lead guitar).

Martin used to be with the Savoy Brown Blues band and says Roger: “Martin has been with us quite some time now and he has been a big influence on the band. Not so much with his music as with his personality.”

“He has a lot of presence and it rubs off. All of the band have changed a lot since the days of the Action. We are just not the same people.

“It’s a good thing we changed the name. We didn’t know what we were doing before. We got completely lost musically. When we stopped doing Tamla we got lost in the psychedelic thing. But it was all experience. We are wiser now.

“It’s like playing drums. When you start, you play simple things. Then you play complicated stuff all the time, and finally go back to simplicity.”

What are the aims of Mighty Baby?

“If we could just do what we are doing now… we’re all very happy. The last three gigs we did were very satisfying. We all want to play, and if the money goes up as well it will go back into the music — better equipment, etc. If you don’t set aims too high, you don’t get disappointed. Expect something and it never happens.

“We’ve had so many downs in the past. People say you are going to ‘make it,’ and then you don’t. So many people told us so many lies.

“We think the scene is still exciting, and audiences are more interested in groups than ever. We find at universities they tend to sit on the floor and listen rather than dance.

“Years ago it was all down to pop bands and there will always be a place for straight pop groups but not on such a big scale. You need bands for the younger kids and there are bands for what we used to call the underground scene.

“Just progressive bands that want to play original music. We are doing some Indian based music as well. We have been doing a number called ‘India’ for the last three years which is based on a John Coltrane thing and it has been changing all the time.

“Music all comes from the same source, from within. Indian music is selfless.

“I earn about £15 a week and if we are lucky it might go up to £20 and I’ll be really happy.

“When we were the Action we made a lot of money, but we were asleep mentally. We spent all the money on frilly shirts and Bourbon.”

© Chris WelchMelody Maker, 20 December 1969

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